I wrote a measley 500 words last night and failed to move the story forward at all. The problem is this: I started with a single character, built a situation and then starting filling in details. But I have no outline and no clear idea of how the story should conclude. My fear right now is writing 50,000 words and winding up with no climax.
Some films just don't stand the test of time, and Enter the Ninja is one of them. Fight sequences that once were top-notch now seem awkward and anti-climactic, and the plot is stolen from every Chuck Norris movie ever made.
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Hidden beneath the titillation and gore is a subtle, complex and surprisingly rich cautionary tale about the dangers of...oh, who am I kidding? This movie is utter trash and proud of it.
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Laura says that the big problem with Get Smart is that it gets too hung up on having a plot. As weird as it sounds, I tend to agree.
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One of my favorite bad movies of all time. There's something incredibly appealing about a car that repairs itself, though the cost (human souls) does rival what a mechanic would charge.
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Who says you have to have a climax? Climaxes are for sex. Say, theres a thought. Wind it up with a 50 page sex scene!
Maybe you should go for a nadir, an apex or an acme instead of a climax. Not that a climax would be bad, IMHO.
With no outline there are no restrictions on where to go next. The virtual opposite of work.
Sweet.
Think about it.
Slowhand said:
KJToo wrote:
I would, but I have a strict “no Furries” rule with this novel.
Thagg wrote:
Time to change the rules.