Unfinished: The Wonder Pets
If I have a superhuman ability, it is almost certainly an extremely high threshold for children's television, particularly those shows geared toward preschool children: Franklin, Little Bear, Dora the Explorer, The Backyardigans and Wonder Pets, just to name a few. Some of these (Franklin) I merely tolerate, while others (The Backyardigans) I actually enjoy watching with my son.
Over the past couple of years, I've noticed that Kyle cycles through the shows he likes. His enjoyment of Blue's Clues remains fairly constant, but whether he likes The Backyardigans one month and Wonder Pets another is entirely a matter of whim.
About a year ago, Kyle was on a Wonder Pets kick, and I was being exposed to a high level of guinea pig, duckling and turtle antics. Something inside me snapped; I began to consider an alternative explanation for the trio of helpful animals living in their little schoolhouse. What if, I thought, the whole thing is just the fever-dream of a guinea pig who is the test subject of a laboratory experiment?
The notion percolated in the back of my mind for a while and at some point I realized that, one way or another, I needed to get it out. So I sat down and wrote the beginning of a Linny (or Lynny, as it turns out) the guinea pig tale. Not long after I began, the winds of change blew through the International House of Johnson and Wonder Pets gave way to something else and without the regular exposure to Linny, Tuck and Ming-Ming, too, my mind wandered elsewhere and the story was abandoned.
I have no plans to return to the beleaguered guinea pig, but I present the incomplete tale here as a cautionary tale: this is what can happen when the adult mind comes under the assault of children's television.
BROOKLYN, NY
03 MARCH, 2006
"The phone—"
"The phone is ringing," Dr. Selig murmured. "I know, Walter; I can hear it. Unfortunately I'm a little occupied at the moment. As are you." He tapped the side of the syringe a few times, then slowly depressed the plunger until a thin stream of clear liquid geysered from the tip of the hypodermic needle. "Besides, that'll just be Nick calling to tell us they've decided to turn down our grant application. Again. Now, if you'll move your finger just a little...yes, that's excellent."
The needle pierced the shaved skin at the base of the guinea pig's skull and Dr. Selig injected what he suspected would be the final dose of the serum into the little mammal's brain stem. A moment later, Walter returned the fidgeting rodent to its cage. Returned to the familiar bed of wood shavings, the guinea pig seemed content to sit motionless, peering out at the lab. It would have looked like any of a million other such animals living in similar cages in the bedrooms and living rooms of houses all across the country, were it not for the color-coded nodes that marked the location of nearly three dozen subdermal implants in the rodent's head, spinal column and appendages.
Dr. Selig stripped off his latex gloves and dropped them into a nearby trash can. "Go ahead and run the connectivity check," he said. "I'll be back in an hour. I trust you want your usual?"
Walter nodded. "No celery this time," he said.
Dr. Selig sighed. This conversation was becoming a tiresome ritual. "I'll tell them," he said, as he always did, "just like I've told them a hundred times before."
"How hard is it for them to understand that some people like Buffalo wings without celery?" Walter asked, just as indignant today as he was last Friday when it was Dr. Selig's turn to pick up lunch.
"I'll tell them," Dr. Selig said again. "You run the connectivity check."
The lab ran a predictable lunch schedule, and there was no one more predictable about lunch than Walter. On Monday, everyone brought lunch from home and Walter ate his leftover lasagna cold. On Tuesday, Josh—the lab's other intern—would run to Happy Burger and Walter would invariably order a bacon cheeseburger with no pickles. Wednesdays meant Dr. Oxley taking orders for Mexarito's, Walter mangling the pronunciation of "quesadilla" when he ordered. Thursdays were the only days when Walter wasn't likely to complain about a botched order, as it was his day to venture out to the House of Ming for Chinese food, and he always made sure there was plenty of duck sauce for his eggroll and that his General Tso's chicken contained no vegetables. Vegetables as a rule were shunned by Walter, but green peppers especially he held in high contempt.
Later in the afternoon, when they sent someone to Dairy Queen for their weekly ice cream treats, Walter would order a turtle sundae with no pecans. Anyone daring to argue that a turtle sundae prepared without pecans was simply a caramel-and-chocolate sundae would be loudly rebuked by Walter, and everyone in the lab had long since learned that it was folly to argue with Walter where food was concerned.
Dr. Selig shrugged off his lab coat, then turned around to survey the lab. Dr. Oxley was out for the day, trying to drum up some more funding in the vain hope of keeping the lab running for another three months. Josh was multi-tasking, as usual, his phone cradled on his left shoulder while he wrote something on a yellow legal pad, pausing occasionally to run a finger over the touchpad on his laptop.
Walter was crouched in his chair, elbows on knees, peering into the guinea pig's enclosure. Dr. Selig wondered briefly which of the two mammals—the placid guinea pig or the wide-eyed, neurotic intern—was more intelligent, then cleared his throat. "Walter," he said, pointing to the computer terminal that processed the data feeds from the wireless sensors implanted beneath the guinea pig's dermis. "Run the connectivity check."
Walter swung the chair around and began tapping at the keyboard. Satisfied that the intern was following his directive, Dr. Selig left the laboratory, bound for Little Airplane Wings, an establishment that claimed to have "better Buffalo sauce than Buffalo!"
***
An hour later, the guinea pig was munching away at one of the unwanted celery sticks from Walter's lunch. Though there was no outward indication, the chemical cocktail Dr. Selig had injected was working its magic: simultaneously inhibiting the rodent's ErbB4 receptors and GABAergic interneurons. The former affected her cells' ability to process Neuregulin-1, while the latter inhibited expression of parvalbumin, the combined upshot of which was severe, chemically-induced schizophrenia.
Her left eye twitched. An electric impulse was picked up by the sensor implanted near her left eye and a small packet of data was transmitted wirelessly to a nearby computer, where the strength and duration of the impulse were committed digitally to disc, along with thirty-three other data points that indicated other electrical impulses or lack thereof. Her left eye twitched again.
***
"She's falling asleep," Walter said, his face so close to the enclosure that his breath fogged up the glass. "Do you think she dreams, Dr. Selig?"
Dr. Selig wiped a dollop of barbecue sauce from the corner of his mouth with a napkin and considered the question for a moment before answering.
"There's sufficient evidence to suggest that she does, Walter," he said, reaching forward to tap one of the jagged lines marching across the LCD screen. "She'll be entering her REM cycle shortly, just as you and I do every night. Her sleep patterns are similar enough to ours—including observable alterations in brain activity—that it's entirely reasonable to conclude that she does, indeed, dream. But you can rest assured that her dreaming, or the fact that she does dream, has nothing to do with what we're doing here."
The answer seemed to satisfy Walter, who continued to stare at the guinea pig as he would do for what seemed like hours at a time if Dr. Selig didn't find something else for him to do. This is what happens when you agree to hire your husband's empty-headed younger brother, Dr. Selig thought, glancing ruefully over at Dr. Oxley's empty chair and vowing for what must have been the ten-thousandth time to never again allow a colleague's nepotism to supersede little things like talent and qualifications. Still, it was Friday, and in all likelihood they'd have to pack up the lab on Monday when Nick managed to deliver the bad news about the grant application and Dr. Oxley similarly reported her failure to find another backer, so where was the harm in letting Walter stare at a sleeping guinea pig all afternoon? It would certainly keep him out of Dr. Selig's hair.
***
The guinea pig slept, unmindful of the voyeur looming beyond the glass, and she dreamed. On the nearby screen, unwatched by anyone in the lab, the lines that provided a visual indicator of the various electrical impulses in her brain grew more jagged as new neural pathways opened to compensate for those the chemicals had closed. The rodent's brain behaved in ways no one in the laboratory had predicted. Neurotransmitters that had been disabled by previous variants of the experimental serum were activated again, while those that had been functioning normally only an hour before suddenly went quiet.
***
The alarm went off while Dr. Selig was in the restroom. Walter had no idea what it meant, nor what he should do. He looked to Josh, who was still on the phone. "I have to go," Josh said quickly. "There's an animal in trouble." He fumbled the receiver onto its cradle and crossed to Walter's workstation. "What's going on?" he asked. "What's the problem?"
Josh, unlike Walter, had been hired based on those two little things Dr. Selig felt were more important than nepotism: talent and qualifications. It took him only a quick glance at the EEG readouts on the monitor to realize that something was going horribly wrong in the guinea pig's brain. He looked over at the animal's enclosure; she was sleeping peacefully, the rapid in-out motion of her breathing the only indication that she was alive at all.
"This doesn't make sense," Josh said, frowning at the readout. "She should be wide awake and thrashing like an angry badger. When was the last time you calibrated these sensors?"
"Yesterday," Dr. Selig said from the doorway. He crossed the lab quickly; if either intern noticed that the fly on his trousers was open they didn't bother to point it out to him. "I heard the alarm. What's going on?"
Walter stood mute while Josh explained that the guinea pig appeared to be having some sort of neuropathic seizure. "Except she's not," he said, confusion clear in the tone of his voice. "She's just...sleeping."
"Comatose seems more likely," Dr. Selig replied, "though these readings certainly don't suggest it."
Walter stared at the guinea pig, as concerned about her welfare as anyone in the lab but utterly incapable of doing anything to affect it. He looked at the half-eaten piece of celery, then over to the discarded remains of his lunch, the corner of the styrofoam takeout box poking out of the trash can, more convinced then ever that the vile stalk was not to be trusted. He leaned in close to the enclosure again, oblivious to the conversation going on just a few feet away. He saw the guinea pig's left eye twitch. Rapid eye movement, he thought, recalling his earlier conversation with Dr. Selig, and again wondered if she was dreaming.
Non Sequitur: Guilty Pleasures (Musical Edition)
Queen is one of those guilty pleasures: a band whose music is great, but I'm embarrassed to admit that I like.
— Anonymous, during a recent conversation we had about music.
I don't have any trouble admitting that I like Queen, personally, but I do hesitate sometimes before revealing that enjoy some other musicians and musical groups, like Ace of Base and (gasp!) Yanni. I also like enough of the music from The Backyardigans, a Nick Jr. show that my young apprentice occasionally watches, that I've purchased several songs from their repertoire (ostensibly for my son's enjoyment, though I listen to them when he's not around).
Some people consider ABBA a guilty pleasure, but so much of my childhood occurred while "Dancing Queen" and "Waterloo" were spinning on my dad's record player that I can't feel even the slightest bit of embarrassment about enjoying them.1
What makes a guilty pleasure? Why should I (or anyone else, for that matter) feel guilty for enjoying the music of a 70s Scandinavian pop group (or a 90s copycat of a 70s Scandinavian pop group) or a smug, over-coiffed, Greek synthesizer slinger?2
Context plays a big part; the music I'll readily cop to enjoying depends a lot on who I'm talking to and what sort of music we're discussing.3 Am I likely to mention that I own half a dozen Enya albums when the musical topic is metal groups? Not terribly.4 That's not to say I'll deny owning those Enya albums, mind you—there's just less of a likelihood they'll be mentioned in that context than if the genre of the moment is overdubbed, ethereal Irish New Age.5
There's also the context of the artist or group itself. ABBA is a product of the early 1970s, and everything about ABBA—from their glam-pop sound to their stage costumes and album covers—is a testament to the time period. There are aspects of every decade in the past half-century that are mocked, from the exaggerated Nuclear Family of the 1950s to Free Love in the 1960s and Big Hair in the 1980s,6 but I don't think any decade is shunned with such socio-fashionistic fervor as the 1970s.7
Then there are individual songs from artists or groups who might not otherwise be considered guilty pleasures. Neil Diamond's "America" with its bombastic, unabashed patriotism; the saccharine sweetness of "Lovely, Love My Family" by The Roots (produced for another Nick Jr. show, Yo Gabba Gabba!); the sappy sentimentality of Marc Cohn's "Silver Thunderbird"—all songs that tug at my emotions to such a degree that I often struggle to keep the tears down when I listen to them.8
What else about a genre, group, artist or song might make it a guilty pleasure? What are your personal musical guilty pleasures and why are they guilty?
- In my memory, my father owned exactly three distinct categories of LPs: ABBA, Bill Cosby and Country & Western. [back]
- I don't know that Yanni is actually smug, but he certainly comes across that way. If you've ever seen his Live at the Acropolis performance, you may know what I mean. [back]
- Peer pressure: no expiration date. [back]
- I may not be likely to mention that I own three Metallica albums, either, as Metallica fans seem to be divided into pre-Load fans and...me. [back]
- Which, admittedly, is a fairly specific genre. [back]
- What are the 1990s mocked for, you ask? Mostly Ace of Base and Yanni, I think. [back]
- Is there any musical genre more scorned than disco? I think not. Nonetheless, I do enjoy a Bee Gees tune every now and then. [back]
- Yes, I'm destined to turn into the sort of father who is moved to tears by long-distance telephone service advertisements on television. I'm told it's hereditary. [back]
Situation Report: Fall 2009
The time has come, the walrus said, to talk of many things...
—Lewis Carroll, "The Walrus and The Carpenter" (from Through the Looking-Glass and What Alice Found There)
There may not be a whole lot of activity here in my little corner of this here series of tubes, but life does not stop when a person fails to update his blog regularly. To wit:
The Secret Lair
The podcast is still going strong, with a new episode appearing every few weeks or so, and a new installment of our webcomic appearing only slightly less frequently. In the most recent illustrated adventure, which I shall henceforth refer to as the Irradiated Arachnid Incident, the side effects of a spider-bite are not what you might expect. Meanwhile, Chris and I managed to convince our wives (yes, there was alcohol involved) to join us in a discussion of Audrey Niffenegger's The Time Traveler's Wife, that book they made into that movie with that one guy. We also sat down with Mick Bradley, with whom we have had dealings in the past, to discuss that most mysterious and misunderstood style of roleplaying, the story game.
Recent episodes of the podcast have featured staff reports from some creative (and incredibly generous) folks we are fortunate to call friends, those being Dr. John Cmar, Jay "Kingfish" Lynn, Natalie Metzger and Ken Newquist. These reports speak of schemes of ever-escalating complexity and crackpottedness, with a smattering of bizarre truth thrown in to blur the line between the real and the surreal.
Game Night
Approximately every two weeks, the gamers descend upon the International House of Johnson for one form of interactive entertainment or another. We're currently in the middle of a Savage Worlds campaign run by Chris Miller, but last night we took a break from polyhedral dice and roleplaying to rock.
Armed with fake guitars, fake drums and a very real microphone, we took to the virtual stage in Rock Band 2 on the Xbox 360. Four adults and the aforementioned fake instruments do not fit particularly will into the area around our "entertainment center", but that didn't dissuade us in the slightest. Some of the songs we rocked out to:
- "Re: Your Brains" and "Skullcrusher Mountain" by Jonathan Coulton
- "I Won't Back Down" by Tom Petty and the Heartbreakers
- "Here it Goes Again" by OK Go
- "Take it on the Run" by REO Speedwagon
- "The Best Day Ever" by Spongebob Squarepants (featuring guest vocalist Kyle Abraham Johnson)
- "Aqualung" by Jethro Tull (featuring Chris Miller on vocals and no one on the fake flute)
After the out-rocking concluded, we gathered at the dining room table for Monty Python Fluxx, followed by Fist of Dragonstones, the latter of which I thought was woefully underappreciated.
Olde Fartz
After a bit of a late-summer hiatus, the Olde Fartz Distance Learning Center is back in session. Our favorite game of late has been Half-Life 2 Deathmatch, though we did return to our roots for an evening of WarCraft III: Reign of Chaos a few weeks ago. There's also talk of playing some Team Fortress 2 and Dungeon Siege, and P.G. Holyfiend keeps yammering about Sins of a Solar Empire, too. Yammering, I tell you. Enrollment in the Olde Fartz has increased to the point where we have abandoned Skype voice conferencing in favor of a TeamSpeak server. If you're interested in joining the fun, drop me a line and I'll take your application to the admissions committee.
Con on the Cob
Last year I managed to attend all four days of Con on the Cob, a local gaming, art and general geek convention. This year, Laura and I only attended on Saturday, but we still had a lot of fun. We both bought new dice (practically a con requirement) and I bought Dominion, an excellent card game from Rio Grande Games.1 We watched a bit of the Iron Artist competition, then briefly fled to a nearby restaurant with Chris Miller and Rachel Ross for dinner, then it was back to the con for a couple of games of Dominion. Next year, I think we're going to shoot for attending on both Friday and Saturday so we can do a little more gaming and maybe record an episode of The Secret Lair on-site.
Alas, I have no convention photos to share this year, as the battery charger for our Fujifilm Finepix J10 went AWOL right before my sister's wedding.2 A new charger has been purchased and will hopefully be delivered in time for Hallowe'en costume photos.
NaNoWriMo vs. NaBloPoMo vs. HoNoToGroABeMo
I have no intention of attempting to write a 50,000-word novel in thirty days come November, nor will I make any real effort to post at least one blog entry a day in the same time period. On the other hand, I fully intend to shave off my beard on October 31st and then spend a month failing to grow anything resembling a manly face-mane. That's right, for the third year running, How Not to Grow A Beard Month will return. Mega-kudos once again to The Cynical Optimist for creating and maintaining the website.
The Great Superhero Movie Project
Despite a general dearth of new reviews, I have been watching and rating various superhero movies over the past few months. There are currently 112 movies on the list (with more to be added soon); I've seen about 90 of them, rated about 60 and reviewed a paltry 11. Yeah, I have a bit of catching up to do in the review department.
- Laura and I have played several times since the convention, but the four-player limit means it's tough to include at Game Night (when we typically have six or seven people). There's one expansion to the game (Intrigue) with a second (Seaside) on the way, both adding cards and allowing for additional players, so it might just grace the Game Night table someday soon. [back]
- Did I mention that my sister got married? And we drove to Chicago for the wedding? And that Kyle wore suspenders? And that the bride and groom were joined "by the power of the Internet"? No? I should have. Sorry. [back]
Autumnal Equinox 2009: The Fall of the Summer Reading List
I've been updating the status of various books on this list since shortly after I first published my 2009 Summer Reading List. This post is scheduled to be published at 5:18pm on the 22nd of September, the official start of Fall. Let's see how much reading I actually got done this summer...
Finished
- Shambling Towards Hiroshima by James Morrow.
Rating:




- The Touch by F. Paul Wilson.
Rating:




- Glasshouse by Charles Stross.
Rating:




- His Majesty's Dragon (Temeraire · Book 1) by Naomi Novik.
Rating:




- Anathem by Neal Stephenson (Audio; narrated by William Dufris).
Rating:




- Lamb by Christopher Moore.
Rating:




- Jonathan Strange & Mr. Norrell by Susanna Clarke (Audio; narrated by Simon Prebble).
Rating:




- The Time Traveler's Wife by Audrey Niffenegger.
Rating:




- The Strain by Guillermo del Toro and Chuck Hogan (Audio; narrated by Ron Perlman).
Rating:




- WWW: Wake by Robert J. Sawyer (Audio; various narrators).
Rating:




- Dead Witch Walking by Kim Harrison (Audio; narrated by Marguerite Gavin).
Rating:




- The Stepsister Scheme by Jim C. Hines.
Rating:




- Paranoia by Joseph Finder (Audio; narrated by Scott Brick).
Rating:




- Norse Code by Greg van Eekhout.
Rating:




- The Destroyer #14: Judgment Day by Warren Murphy and Richard Sapir.
Rating:




- The Way of Shadows by Brent Weeks.
Rating:




In Progress
- Saturn's Children by Charles Stross (Audio; narrated by Bianca Amato).
Not Yet Started
- Throne of Jade (Temeraire · Book 2) by Naomi Novik.
- Personal Effects: Dark Art by J.C. Hutchins and Jordan Weisman.
- Agent to the Stars by John Scalzi.
Not too shabby, overall. My peculiar flavor of attention deficit disorder came into play, as I expected it would, and I read or started to read several titles that weren't on the original list. I also failed to even start a handful from the original list, but maybe I'll get around to them this fall. Speaking of fall, here (in no particular order) is the 2009 Fall Reading List:
- Midnight's Children by Salman Rushdie (Audio; narrated by Lyndam Gregory).
- The Devil You Know by Mike Carey.
- Mistborn by Brandon Sanderson.
- Batman: The Stone King by Alan Grant.
- Black Powder War (Temeraire · Book 3) by Naomi Novik.
- Broken Crescent by S. Andrew Swann.
- Furies of Calderon (The Codex Alera · Book 1) by Jim Butcher.
- Fool Moon (The Dresden Files · Book 2) by Jim Butcher.
- Condemned to Repeat It: The Philospher Who Flunked Life and Other Great Lessons from History by Wick Allison, Jeremy Adams and Gavin Hambly.
- Ill Wind by Kevin J. Anderson and Doug Beason.
- The Two Faces of Tomorrow by James P. Hogan.
Dora the Explorer of the Rings
Someone has to say it: Dora the Explorer is a complete ripoff of The Lord of the Rings.
Let's review:
- Dora is a short person from a fantastical land who is called upon to deliver an item to a faraway place. On her journey (or quest), she must overcome a number of obstacles and often encounters strange creatures.
- Frodo Baggins is a short person from a fantastical land who is called upon to deliver an item (The One Ring) to a faraway place (The Cracks of Doom in Mordor). On his quest, he encounters strange creatures and must overcome a number of obstacles.
- Dora is accompanied by a loyal companion (also short) named Boots.
- Frodo Baggins is accompanied by a loyal companion (also short) named Samwise Gamgee.
- Dora is often joined by companions of different species: Isa the Iguana and Benny the Bull, to name two.
- Frodo Baggins is joined by companions of different races: Gimli the Dwarf and Legolas the Elf, to name two.
- Dora is pursued by Swiper the Fox, a conniving-yet-cowardly thief who wants to steal something she is carrying.
- Frodo Baggins is pursued by Gollum, a conniving-yet-cowardly thief who wants to steal The One Ring.
- Dora is eventually joined by Diego, an animal rescuer who is skilled at tracking and outdoor survival.
- Frodo Baggins is eventually joined by Aragorn, a ranger who is skilled at tracking and outdoor survival.
- Dora must often solve puzzles using words and phrases in another language (Spanish).
- Frodo Baggins was unable to enter the Mines of Moria until the word "friend" was spoken in another language (Elvish).
Of course, there are a few elements of Dora the Explorer that aren't ripped straight out of The Lord of the Rings...or are there? Let's consider:
- Dora has a magical backpack that contains whatever object she might need to solve a puzzle or overcome an obstacle. There's no magical backpack in The Lord of the Rings, but Dora's backpack sounds an awful lot like a Bag of Holding from the Dungeons & Dragons roleplaying game (which was around decades before Dora the Explorer), and everyone knows that Dungeons & Dragons is the King of All Lord of the Rings Ripoffs.
- Frodo Baggins is led by Gandalf, a wise old wizard who tells him which way to go and, ultimately, leads him into dire peril. Dora is rarely seen in the company of old men, wise or otherwise. True enough, but she does consult with a magical, talking map that tells her how to get to her destination, typically through waypoints that are fraught with peril (windy bridges, treacherous mountains, and the like). The Map may not be carrying a staff or wearing a pointy hat, but he definitely fills the "magical guide" role. ("Tell Frodo he has to go through the Mines of Moria, over the Fields of Pellenor and up Aman Amarth!")
I'm sure there will be naysayers; those who call this evidence "circumstantial" or "coincidental" and point out that "Nickelodeon" isn't really an anagram of "J.R.R. Tolkien". You know: nutjobs. But to the rest of you—those who can see Middle Earth in the unnamed South American country in which Dora resides—I extend an invitation to show me more. Peel the veil further back to expose more proof. What have I missed? What more is there?
