Musicstuff: Rush in Concert

Snakes & Arrows

If you were a fan of progressive rock when Rush arrived on the music scene thirty-three years ago, there’s a good chance that a 7:30 concert is going to have you up way past your bedtime.1 If, on the other hand, your first real exposure to the Canadian trio was sometime after the Ford2 administration, then you (like me) are likely still a virile young buck with more than enough energy to propel you to eleven o’clock and far beyond.

Thursday night, thousands of Rush fans gave their bedtimes the collective middle finger and descended upon the Blossom Music Center; the elder crowd to have their socks rocked off, the younger generation to have their B0XX0RZ R0XX0R3D down to their S0XX0RS. Cranking out nearly thirty songs that spanned more than three decades of music in just under three hours, Rush definitely brought the rock to Blossom and I find it hard to believe anyone could have walked away unsatisfied. A wee bit deaf, perhaps, but certainly not unsatisfied.

Because I am apparently made of stupid, I left my cell phone in the MVoD on the way to the concert. This was disappointing for several reasons: At the start of the concert I wanted to call my brother, Keven, to gloat a bit3; I also wanted to call blob when Rush played “Tom Sawyer”, because I am a jerk; and I wanted to take a few photos of myself and others enjoying the concert4. Fortunately, I was able to convince another concert-goer to e-mail me a couple of photos he took with his cell phone (a Motorola Razr, I believe).5

Rush in Concert at BlossomRush Concert

The show, as I mentioned previously, nearly covered the entirety of Rush’s thirty-three year musical history. Though there were no tunes from their first three albums, they did play “A Passage to Bangkok” from 2112 (1976). There was also a very satisfying sampling of songs from both Permanent Waves (1980) and Moving Pictures (1981), a handful of songs covering 1982 (including the excellent “Subdivisions” from Signals) through 2004, and a whopping nine tracks from Snakes & Arrows. A complete set list can be found on the tour’s Wikipedia entry.

Highlights of the show included Bob and Doug McKenzie introducing “The Larger Bowl” and a hilarious South Park skit featuring Eric Cartman as Geddy Lee that led into a crowd-pleasing rendition of “Tom Sawyer”. Then, of course, there was Neil Peart’s fantastic ten-minute drum solo. I don’t imagine anyone had to convince Neil to do a drum solo, but I suspect the conversation would have gone something like this:

PITCHMAN: Okay, Neil, here’s what we’re thinking: we want to surround you with 250 objects of various shapes and sizes and we want you to pound on them with wooden sticks for about ten minutes. Do you think you can do that?

NEIL PEART: Of course I can do that! I’m Neil Peart, aren’t I?

He most certainly is6, and watching him do his thing on stage was awe-inspiring. I almost felt sorry for Alex Lifeson, who followed Neil’s frenetically fantastic percussion with “Hope”, an acoustic guitar solo. The saving grace for Lifeson is that “Hope” is quite possibly my favorite song from Snakes & Arrows (the second being “The Main Monkey Business”, another instrumental piece) and it was a nice, almost mellow counterpoint to previous 360-plus seconds of unrelenting, ferocious energy.

Rush ConcertRush Concert

My own stupidity aside, I thought the concert was incredible. I was very pleased and impressed with both the quantity and quality of the songs played (though I would have liked to hear “Red Barchetta” and “Bastille Day”) and also with the energy generated by three guys who are (to quote Geddy) “a million years old”. I have to give props to Schoon (another Chris) for scoring the tickets way back in April of 19977 and for providing transportation to and from Blossom. Thanks again to the other Chris for sending me the photos, and thanks to Geddy Lee, Alex Lifeson and Neil Peart for rocking me sockless. Oh, and a special thanks to my brother, Keven, for getting me hooked on Rush at an early age.

  1. Oh, and if that concert is on a Thursday evening and you’ve got to work the following morning, you’re probably better off staying home to watch Baretta reruns and sip a tall, cool glass of Metamucil. [back]
  2. No, Gerald. [back]
  3. He saw the concert when the 2007 Snakes & Arrows Tour kicked off in Atlanta, so he’s got no real reason to whine. [back]
  4. I’m especially annoyed at this, because I missed the opportunity to capture Air Guitar Man’s rocking solo. [back]
  5. Thank you, Chris, for indulging me; the photos you took are at least as good as (and probably better than) anything I would have snapped with my Treo 650. [back]
  6. I believe my words to Rae Lamond on the subject of Neil Peart were something along the lines of “he may be the best drummer in the history of men hitting stuff with sticks”. [back]
  7. (ish) [back]

Geekstuff: The Birthday Rundown

Well, I’ve been thirty-four years old for a week now and I’ve gotta say I’m liking it so far. There are times when being an adult is all about socks and shirts and ties, oil changes and mortgage payments, but I’m happy to say that my family and friends know that I’m still all about the books, comics, toys and games. Apart from a very nice polo shirt from my mother-in-law, most of my birthday bounty would have been eagerly received by seventeen-year-old me.

  • LEGO Star Wars II: The Original Trilogy for the Xbox, from my young apprentice. Everything is proceeding as I have foreseen.
  • The Making of Star Wars by J.W. Rinzler, from Laura.
  • A Boba Fett t-shirt, also from Laura.
  • The Ultimate Fantastic Four trade paperbacks volumes 1-5, from Miscellaneous G™.
  • Three Hellboy comics signed by Mike Mignola, from Chris.
  • A green FlyTech Dragonfly, from my sister-in-law and her family. A remote-controlled ornithopter! How cool is that?
  • A musical Batman card from my elder, bigger little sister.
  • Filthy lucre from my parents, mother-in-law and grandparents-in-law, which I used to buy:
    • 18 by Moby (CD)
    • Play by Moby (CD)
    • Hellboy: Sword of Storms (DVD)
    • Dune: Extended Edition (DVD)
    • Blade Runner: Director’s Cut (DVD)
    • Pan’s Labyrinth (DVD)
  • Last but not least, pumpkin pie from my grandparents-in-law. Yes, it’s more of a fall pie. I don’t care. I will eat it now and then, I will eat it anywhen!

[EDIT: I forgot a couple of things!]

  • Police Squad! The Complete Series on DVD, from the Wiitalas. Police Squad! didn’t succeed as a television series (a shame, because it’s hilarious), but it eventually evolved into three Naked Gun movies.
  • Spamalot Original Cast Recording, also from the Wiitalas. Laura and I saw Spamalot last year, and it was fantastic. My favorite song is probably “The Song That Goes Like This”, but they’re all good.
  • The first season of Arrested Development on DVD, from my sister and her boyfriend. Despite several people telling me I should have been watching this show when it was originally on the air, I’ve never seen it. I’m probably directly responsible for its cancellation.
  • The Omnivore’s Dilemma, also from my sister and her boyfriend. I’m not sure, but I think this book has something to do with that “fourth meal” I’ve been hearing about at Taco Bell.

Are my friends and family not awesome? Yes. Yes they are. They made me a very happy birthday boy.

Music: Dylan Hears a Who

Now here’s something you don’t see (or hear) every day: Seven Dr. Seuss poems — including “Green Eggs and Ham”, “Cat in the Hat” and my second favorite Seuss poem ever, “Too Many Daves” — as Bob Dylan might have performed them in the 1960s.

Not only can you listen to all the songs, you can download a ZIP file containing the individual MP3 files. You can also download jewel case inserts and a CD label. Truly excellent.

Kudos to Eye-Berried Pall (whoever they may be) for creating this and thanks to Jason Penney for linking to it.

Music: CD Collection on Squirl

In a testament to my geekiness, I’ve started yet another collection on Squirl. In addition to my DvDs, Xbox and PC games, I’ve now got 170 of my CDs cataloged on the site as well.

Yeah, I’m a dork. No surprises there.

Music: Coulton Does Cleveland

Singer-songwriter Jonathan Coulton — who is responsible for songs like “Code Monkey”, “Skullcrusher Mountain”, “First of May” and “Soft Rocked By Me” — will be playing Wilbert’s in Cleveland, Ohio on Thursday, 30 November.

Also playing that night are Paul and Storm, formerly of the excellent a cappella group, Da Vinci’s Notebook (”Title of the Song”, “Another Irish Drinking Song”, “Enormous Penis”1).

If you are in the Cleveland vicinity on 30 November, have dollars numbering ten at your disposal, and enjoy music with a humorous twist, you may want to get yourself to Wilbert’s.

  1. Here come the Google hits! [back]

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